Emma Carmody is working toward her PhD in creative writing and French at the University of Adelaide. Prior to commencing her doctoral project, she worked as an environmental lawyer in Sydney. She has also worked in a volunteer capacity with several NGOs that provide legal advice and support to asylum seekers. Her poetry, prose and translations have appeared in Australian and foreign journals, including the Australian Book Review and New Translations. She currently lives in the South of France.
Divinité Khmère, Musée Guimet
Flank entombed,
A thew of root around her
Goddess waist,
She meditates on centuries,
Incubates the temple’s
Holocaust.
There is no modesty
In the jungle:
Insects breed
Between her virgin thighs,
Monkeys take their pleasure
On her naked breasts,
And in a flush of humid green
Bamboo shoots
Quake about her feet
Like nerve endings of the understory.
What memories she must hold
Of another world,
Where each dawn was guarded
By the season’s alms, humble
On the altar,
The droning of the sutras –
Her divine core.
Being so vital,
So sovereign to the shrine,
She offered up her wisdom
Until suddenly,
Her naked arms severed,
The empire slain:
Rebirth in the wild.
The Ento(M)-uscian
Parnassius Apollo, Polyommatus Eros.
The Shore Line
Alone on the beach
with the lovely slaughter of evening’s
thrust: puffer fish, a slick of gull,
crushed shells. Between
open ocean and smaller things
I walk North, through fits of rain.
You stay inside.
Three urchins on my mantel now,
vestigial spines worn but keen.
We grieved our loss on the phone last
week: the garden’s thriving, your brother’s fine,
may I visit? Such responsibility for
chance words, barely meant –
such tenderness, these killing fields
at lowest tide.