Issue 29

Cape Barren Island, 2016, charcoal & mixed media
by Barbie Kjar

David Coady reviews “A Brief History of Australian Terror”, by Bobuq Sayed
Roumina Parsa reviews “Translations” by Jumaana Abdu
A.D. John reviews “Because I Am Not Myself, You See” by Ariane Beeston
Holden Walker reviews “Thanks for Having Me” by Emma Darragh
Su-May Tan
Chloe Robinson reviews “Refugia” by Elfie Shiosaki
Antonia Hildebrand
Natalie Damjanovich-Napoleon reviews “Flow” by Luoyang Chen
Roumina Parsa
Rochelle Pickles
Angela Costi reviews “Witness” by Louise Milligan
Deborah Pike reviews “The Great Undoing” by Sharlene Allsopp
Katie Hansord reviews “The Flirtation of Girls / Ghazal el-Banat” by Sara M Saleh
Isabel Howard reviews “Dirt Poor Islanders” by Winnie Dunn
Gan Amin reviews “Kairos” by Jenny Erpenbeck
Lindsay Tuggle
Anisha Bhaduri
James Gobbey reviews “Martyr!” by Kaveh Akbar
Misbah Wolf reviews “Moon Wrasse” by Willo Drummond
Javaria Farooqui reviews “The Djinn Hunters” by Nadia Niaz
Zoe Karpin
Carielyn Tunion-Lam
Ben Hession
Grace Hall
Wajeehah Aayeshah
S.V. Plitt
Violence, Pain and Blistering Power: Women in Lauren Groff’s “Matrix” by Az Cosgrove
Holly Friedlander Liddicoat reviews “meditations with passing water” by Jake Goetz
Luoyang Chen reviews “The Open” by Lucy Van
Liz Sutherland reviews “Breath” by Carly-Jay Metcalfe

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© 2007- Mascara Poetry Inc. First Published April 07, ISSN: 1835-4017
All Rights Reserved All work in Mascara is the sole property of the artists and may not be reproduced for any purpose without permission.

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